Occult Monograph Series
Produced by
Three Hands Press
Magic Circles have been depicted in popular expressions of magic and witchcraft as well as detailed with full rubrics in traditional manuals of magic such as the Clavicula Solomonis or Liber Juratus.
As has been established by historians such as Dr. Carlo Ginzburg and Éva Pócs, the topological elements of the medieval Witches’ Sabbat –the ecstatic nocturnalia of the lamiae — carry relics of the ancient spirit-cults and localized folk-beliefs of Europe.
In occult literature, the Vestments of the Art Magical are poorly understood, principally because few save the body of initiates behold them. The robe, mask, hood, mantle, garter, and veil, constituting the exterior arrayments of the witch, trace their pedigree to a number of magical sources, each constituting a mystery of form and function.
The numinous hangs heavy around bodies of water – places of liminality and otherworldly congress, haunted by eldritch presences and rituals of magic and custom.
Written as an undergraduate as SOAS University of London in 2001, Mysticism: Initiation and Dream would foreshadow the concerns of Andrew Chumbley's later doctoral research on the transcendental nature of the magical dream.